2015年东方卫视以喜剧调侃的形式弘扬社会正能量的节目，由上海知名主持人陈蓉 担任制片人并主持。

2015年东方卫视以喜剧调侃的形式弘扬社会正能量的节目，由上海知名主持人陈蓉 担任制片人并主持。

作为《这是我的岛》衍生节目，节目以海岛生活指南为主题，展示少年们在海岛中逐渐掌握衣食住行的基本生活要领，从不习水土到得心应手，逐渐在挑战中实现自我成长；从“吃喝拉撒”到建设“我的岛”，少年们在海岛上如何学习和生存，集体生活的背后，遇到过哪些个人难题和困惑，节目中会展现温暖的海岛生存群像以及有趣闲暇的时光切面。

有的时候，光鲜亮丽的表相之下往往隐藏的是更加深邃的黑暗……以正常人的眼光去看，皮帕·李（罗宾·怀特·潘饰）过的绝对是受到了上天的眷顾和祝福的完美生活，她虽然和她的出版商丈夫赫伯（艾伦·阿金饰）相差整整30岁，但他们之间的深情却填补了年纪所制造出来的代沟。另外，皮帕还有两个聪明活泼的孩子，看着他们成长，让她心中盈满了母亲的骄傲。除了至爱的家人，围绕在皮帕身边的是一大堆值得信赖的知己，代表的是她生活中一段又一段重要的机遇。然而，当皮帕跟随着她的丈夫搬到康涅狄格州的一处安静、沉闷的退休社区居住时，她之前所建立起来的那个理想的世界和人际关系，包括她的婚姻，也都将经历最终的考验。　　事实上，所有美好的事物都是具有欺骗性的，比如说皮帕这种经营着有如画卷般美好的生活的女人，其实在年轻那会儿也曾经历过太多的骚乱与动荡不安，所以她比谁都渴望稳定的婚姻和家庭……也许正是因为抵达了一个完全陌生的环境中，皮帕开始了一场苦乐参半的自我发现之旅，在一位完全陌生、难以理解但情感细腻的邻居克里斯（基努·李维斯饰）的陪伴下，她很快就意识到，自己需要同时面对极不稳定的过去和隐藏在看起来非常完美的生活表相下的怨恨以及愤怒，因为她不得不重新找回那个真正的自我。

有的时候，光鲜亮丽的表相之下往往隐藏的是更加深邃的黑暗……以正常人的眼光去看，皮帕·李（罗宾·怀特·潘饰）过的绝对是受到了上天的眷顾和祝福的完美生活，她虽然和她的出版商丈夫赫伯（艾伦·阿金饰）相差整整30岁，但他们之间的深情却填补了年纪所制造出来的代沟。另外，皮帕还有两个聪明活泼的孩子，看着他们成长，让她心中盈满了母亲的骄傲。除了至爱的家人，围绕在皮帕身边的是一大堆值得信赖的知己，代表的是她生活中一段又一段重要的机遇。然而，当皮帕跟随着她的丈夫搬到康涅狄格州的一处安静、沉闷的退休社区居住时，她之前所建立起来的那个理想的世界和人际关系，包括她的婚姻，也都将经历最终的考验。　　事实上，所有美好的事物都是具有欺骗性的，比如说皮帕这种经营着有如画卷般美好的生活的女人，其实在年轻那会儿也曾经历过太多的骚乱与动荡不安，所以她比谁都渴望稳定的婚姻和家庭……也许正是因为抵达了一个完全陌生的环境中，皮帕开始了一场苦乐参半的自我发现之旅，在一位完全陌生、难以理解但情感细腻的邻居克里斯（基努·李维斯饰）的陪伴下，她很快就意识到，自己需要同时面对极不稳定的过去和隐藏在看起来非常完美的生活表相下的怨恨以及愤怒，因为她不得不重新找回那个真正的自我。

伊丽莎白·“李”·米勒身份众多，1920年代她遇上出版大亨康泰·纳仕，成为《Vogue》的模特、封面女郎和时尚界宠儿，后去往巴黎拜师超现实主义艺术家曼·雷，并与他开启了一段师生恋，她的时装摄影圈朋友们包括毕加索、胡安·米罗、保罗·艾吕雅等大师。二战爆发后，米勒作为战地摄影师&记者奔赴前线，将纳粹对难民的折磨曝光给大众，报道了伦敦大轰炸和解放巴黎等事件。归家后她遭受严重的PTSD，随后继续任时尚摄影师，作品有强烈的超现实主义风格。 该片将聚焦米勒在二战期间和之后的人生，丽兹·汉娜(《华盛顿邮报》《心灵猎人》)写剧本，改编自米勒的儿子Anthony Penrose所著传记书《The Lives of Lee Miller》，米勒遗产委员会也已授权该片使用她的档案资料，包括其所有照片和日记。温斯莱特也担任制片人，汉娜执行制作。

伊丽莎白·“李”·米勒身份众多，1920年代她遇上出版大亨康泰·纳仕，成为《Vogue》的模特、封面女郎和时尚界宠儿，后去往巴黎拜师超现实主义艺术家曼·雷，并与他开启了一段师生恋，她的时装摄影圈朋友们包括毕加索、胡安·米罗、保罗·艾吕雅等大师。二战爆发后，米勒作为战地摄影师&记者奔赴前线，将纳粹对难民的折磨曝光给大众，报道了伦敦大轰炸和解放巴黎等事件。归家后她遭受严重的PTSD，随后继续任时尚摄影师，作品有强烈的超现实主义风格。 该片将聚焦米勒在二战期间和之后的人生，丽兹·汉娜(《华盛顿邮报》《心灵猎人》)写剧本，改编自米勒的儿子Anthony Penrose所著传记书《The Lives of Lee Miller》，米勒遗产委员会也已授权该片使用她的档案资料，包括其所有照片和日记。温斯莱特也担任制片人，汉娜执行制作。

In the future where virtual reality has become a thing of daily life, Soomin works as a counselor in her own virtual reality. One day, a strange man, Cheolwoon, comes to Soomin's virtual space.

Omelia Contadina was born out of the concern of JR and film director Alice Rohrwacher for the difficulties encountered by many small farmers and inhabitants of the Alfina plateau, in Italy. 　　Alice Rohrwacher explains the origins of the project: “Last autumn, during a walk on the border between Umbria, Lazio and Tuscany, I told my friend and artist JR of my concerns about the destruction of the agricultural landscape, violated by the intensive monocultures with which major corporations are shaping entire territories. I told him, as the daughter of a beekeeper, of the mass death of insects that such changes bring about, and of the struggles of small farmers as they try to stem the tide of speculations, subsidies and pesticides. At one point, we stopped at a crossroads: on all sides, uninterrupted rows of hazelnut trees filled the landscape as far as the horizon. As we looked upon this, we commented to each other that it looked like a war cemetery. On the way back we decided that since it looked like a cemetery, we had to hold a funeral. But it had to be a funeral full of life, like a hymn of hope dedicated to all those who keep us alive day after day, producing the food we eat. ». 　　Alice Rohrwacher and JR returned to the region in early November 2019 to implement their project. The portraits taken by JR of 2 women and 2 men farmers, standard-bearers of traditional agriculture, were printed on large tarpaulins, which the farmers of the Alfina plateau, as well as the inhabitants of the villages of Castel Giorgio and Onano, carried in a filmed procession to the sound of a traditional local brass band. The portraits were then placed in tombs dug in the fields belonging to the farmers. Eulogies were given and the graves were filled in, marking the end of both the film and the symbolic burial. 　　The short film Omelia Contadina, co-directed with Alice Rohrwacher, premiered at the 77th Venice Film Festival (2020). 　　The project is the subject of an exhibition at Galleria Continua, in San Gimignano, from September 26, 2020 to May 2, 2021.

Omelia Contadina was born out of the concern of JR and film director Alice Rohrwacher for the difficulties encountered by many small farmers and inhabitants of the Alfina plateau, in Italy. 　　Alice Rohrwacher explains the origins of the project: “Last autumn, during a walk on the border between Umbria, Lazio and Tuscany, I told my friend and artist JR of my concerns about the destruction of the agricultural landscape, violated by the intensive monocultures with which major corporations are shaping entire territories. I told him, as the daughter of a beekeeper, of the mass death of insects that such changes bring about, and of the struggles of small farmers as they try to stem the tide of speculations, subsidies and pesticides. At one point, we stopped at a crossroads: on all sides, uninterrupted rows of hazelnut trees filled the landscape as far as the horizon. As we looked upon this, we commented to each other that it looked like a war cemetery. On the way back we decided that since it looked like a cemetery, we had to hold a funeral. But it had to be a funeral full of life, like a hymn of hope dedicated to all those who keep us alive day after day, producing the food we eat. ». 　　Alice Rohrwacher and JR returned to the region in early November 2019 to implement their project. The portraits taken by JR of 2 women and 2 men farmers, standard-bearers of traditional agriculture, were printed on large tarpaulins, which the farmers of the Alfina plateau, as well as the inhabitants of the villages of Castel Giorgio and Onano, carried in a filmed procession to the sound of a traditional local brass band. The portraits were then placed in tombs dug in the fields belonging to the farmers. Eulogies were given and the graves were filled in, marking the end of both the film and the symbolic burial. 　　The short film Omelia Contadina, co-directed with Alice Rohrwacher, premiered at the 77th Venice Film Festival (2020). 　　The project is the subject of an exhibition at Galleria Continua, in San Gimignano, from September 26, 2020 to May 2, 2021.